Woah. Is this color out there!  This would be one heck of an accent color in the right room.  It’s Pantone color “Tangerine Tango” # 17-1463. Pantone describes it as,

“Sophisticated but at the same time dramatic and seductive, Tangerine Tango is an orange with a lot of depth to it,” said Leatrice Eiseman, executive director of the Pantone Color Institute®. “Reminiscent of the radiant shadings of a sunset, Tangerine Tango marries the vivaciousness and adrenaline rush of red with the friendliness and warmth of yellow, to form a high-visibility, magnetic hue that emanates heat and energy.”

I couldn’t have said it better.

 

I have set several goals for myself beginning in 2012.  In five words, Get the hell out there!!  What have I been waiting for, permission? Ok,  Lynne you have permission to be a fiber artist cage rattler!  Here is my rattle list.

1.  Submit, Submit, Submit.  There are a lot of great opportunities to submit my work in Texas, in the U.S. and even internationally. Whose to say I can’t!

&. Learn as much as I can from others.  Embed myself in classes and hearing voices critique my work.  Be unafraid.

&. Buy and use a variety of art supplies that I’ve never attempted using.

&. Make new tools.

&. Order made-for-dyeing fabrics I’ve yet to use.

&. Study more complicated techniques I’ve always wanted to learn – serious Shabori, batiks and paper making.

&. Study master artists in different genres – the masters, impressionists, sculptors, photography and more.

&. Study Brut and Outsider Art.

&. Write an article for a publication on an aspect of Fiber Art.

&. Create works that have a psychological bent.

&. Expose myself to different music than I usually listen to.

12. Take mouthfuls of fresh air. Take my work outside.

If I’m not cured in 12 steps, make another list.

 

 

I was interviewed by Lesley Riley who publishes an internet radio show called Art and Soul.  Click on the link below or in the sidebar to listen.

BlogTalkRadio Logo

http://www.blogtalkradio.com/art-and-soul-radio/2010/12/07/quilting-from-the-gut-100-quilts-in-100-days#.TxHEAPhvSd4.gmail

 

There’s a wonderful bead surface design workshop coming up that I am looking forward to.  I have been working on a piece that was once an old Chinese pillow, and it was beginning to age and fray. I cut the pillow up, and I’m working into the design french knots and beads.  I need a few different types of stiches, and it should be an interesting piece.

 
Fiber art

City on Fire

 

In celebration of my new fiber art pieces, I have created a new website dedicated to new fiber art – dyeing, painting fabric, mark making and more.  Please take a look when you have the opportunity.

http://www.lynnebrotmanfiberart.com

Sep 272011
 

I visited EArt Quilterl Anatsui’s exhibit at the Blanton Art Museum on the campus of The University of Texas in Austin.  Not only was I able to view his magnificent work, but he lectured as well.  Although, he works in wood, his largest pieces were executed using bottle caps and copper wire.

When you view his metal work from afar, it appears to be fabric.  He is a very accomplished artist with work all around the world in museums and private collections.

 

 

Art QuilterIf you’re in the Fiber Artists world you’ve heard of Jane Dunnewold, author of Complex Cloth  and Art Cloth and well known fiber teacher.  Every year she chooses 12 people to attend her Mastery Class, and I have been fortunate enough to have been chosen for her 2012 Mastery class in San Antonio.  I received the roster of my fellow classmates, and they hail from Canada to Ohio and from New York to San Diego.

The class begins in February of 2012 and lasts for 2 1/2 years.  It’s such a great opportunity to explore the foundations of fiber dyeing and art marking along with the development of your personal voice and vision.  I already have homework, and I will keep my progress posted here once the class begins.

 

Aug 012011
 
art quilter and art cloth

Shibori Silk Scarves

art cloth and art quilter

Silk Dyed Scarves

I am broadening my horizons and diving into Procion MX dyes in a big way.  A new way to create art cloth for me, that is.

It’s always much more fun to dye in a group, so three of us meet on Fridays to try our hand at dyeing and different Shibori techniques.  These scarves are the latest from our Friday dyeing session.

Of course it’s 102 degrees outside, but whose counting. Just crank up the fan in the garage.

 

Jul 132011
 

Just moved to Austin after living in New Jersey 9 years, and believe you me it’s a whole new experience.  I am a native Dallasite so moving to Austin is like coming Keep Austin Weird Art Quilterhome. Add a dash of spunk, weirdness, tats, a great fiber community, and you’ve got Austin under your skin pretty quickly. The best barbeque and tex-mex in the whole world and the best live music.

I’ve joined the Austin Fiber Association, The Texas Museum of Fiber Arts, Mexic-Arte Museum and the Austin Area Quilt Guild (600 members).  Austin offers a wonderful venue for arts of all kinds so inspiration is all around me.

Yea for Austin and Austin Art Quilters!

Lynne

 

 
Buddha Assending art quilt

Buddha

I must say that I don’t regret challanging myself to making 100 Art Quilts in 100 Days.  It was often overwelming , and I floundered some days. Other days were triumphant, productive and amazing.  I would like to chronicle the lessons I learned over the period of December 2010 to March 2010.

1.  A self-challenge without the pressure of peer approval and a juried format can be productive and serve as private insight to your creativity and viability as an artist.  I most definitely felt self-assured after the challenge was over.

2.  Self-doubt about my artistic abilities were unconfirmed and faulty assumptions dismissed.

3.  As David Bayles comments in his book, Art and Fear, “One of the basic and difficult lessons every artist must learn is that even failed pieces are essential.”  I learned from what I judged as mistakes and then moved on quickly to the next day without much time to ponder them.  I learned not to get bogged down by negativism.  Art routinely calls one’s basic self-worth into question.  You must learn how not to quit.

4.  The process of making art is the education of the artist. I tried a variety of techniques that I had had in the back of my mind for over a year.  This gave me the opportunity to explore those techniques and discover daily which ones did not work for me and which ones excited me.  The ones that I enjoyed, I will go forward happy having given the ones I attempted and disliked a try.

5.  Sharing the challenge with my fellow artist on my blog everyday kept me focused and accountable to my self-imposed challenge.  I had to embrace my art quilts each day knowing that they would be held up to the scrutiny of fellow artist.  Quite humbling and risky.  The feedback I received from fellow artists was positive and supportive. I think because we all know how difficult it is to put our art credibility on the line day after day.

6.  Materials are king.  Knowledge and the willingness to take chances and explore the intended an unintended use of materials is paramount to stretching your abilities.

7.  Time is a restraint that made me focus, improve, fail and explore.  Wasn’t sure that I would create something worthy in one day, but it can and did happen.

8.  A sense of accomplishment accompanies me everyday when I work now.  I approach projects with a feeling that I can devote as much time as I need to meet my own expectations.

9.  Not every art quilt has to be “perfect.”

10. Don’t quilt. Be fearless.

I hope that as one of my readers, you will review the 100 days and comment further on “Lessons Learned”.

 

 

 

 

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